Lenses & Optical Accesories

The K35s were made in the 70’s and 80’s as Canon’s response to the Zeiss Super Speeds. Fast and small, the K35s are widely renowned for being absolutely beautiful. They are sharp and have lower contrast than modern primes and have a unique smooth focus quality and color palette with gorgeous purple and orange flares, as well as uniquely striking bokeh and falloff

Zeiss Super Speeds are small, fast, lightweight and favored for their sharp, lower contrast, and slightly milky characteristics when used wide open, tempting qualities to complement sharp modern digital sensors. They are not without drawbacks, the focus barrel of the lens extends when focusing, and a clamp-on matte-box is not recommended.

The SUMMILUX-C lenses allow the subject to be captured as you see it without significant color temperature shifts or loss of clarity. All colors retain their natural look and feel with special care being shown to skin tones to keep them humane but without looking over sharp or flat. It’s a characteristic called creamy sharpness that can be seen as well as felt in an image.

The beLOMO 8mm is a circular, fully manual fisheye lens with a maximum aperture of f3.5. Made in Belarus with an all metal and glass build construction, there is nothing electrical in the lens, and so both aperture and focus have to be set manually.

Mercury Series features full-frame coverage, a 1.5x squeeze ratio with enhanced bokeh, a significant reduction in physical size and weight, a more dynamic geometric optical personality, and warmer vintage tones than the Atlas Orion Series – all while providing the same modern, mechanical conveniences demanded by professionals.

ARRI's Shift and Tilt Bellows System is the most advanced swing-shift system available on the market today and one of the most popular pieces of equipment for tabletop applications.

Consisting of a series of five lenses that are freely attached to the camera by means of an orientable stage/bellows system, the ARRI Shift & Tilt System allows for unique effect and problem solving, including manipulating the focus plane perspective correction.

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They are the best of the best when it comes to their fast T1.8 aperture (180 mm T2, 350 mm T3.6), minimal breathing, exceptionally low distortion, and non-visible chromatic aberration.
With a consistent high resolution and illumination across the entire frame and a smooth focus roll off, the LEITZ PRIME lenses present a clean image to build any looks on and are well-suited for VFX, virtual production, and post production as well.

Zeiss Standard Speeds are vintage cinema lenses that have been an industry standard for decades. Their older optical designs, vintage glass and coatings are the perfect recipe to take some of the edge off of digital cameras, and they are incredibly flattering on faces. They have a classic look thanks in part to their older coatings and iris design which delivers beautiful flares and a unique bokeh when stopped down.

Featuring swirly bokeh, gorgeous focus falloff and out of this world flares, these lenses are packed with character.
The Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Lovingly rehoused in Ukraine for proper use in a production environment, they feature all of the standard features you’d expect from a cine lens, plus some of them have had their close focus improved from the original lens and even had new apertures installed.

Harness all of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look and oval bokeh. Achieve exceptional shape, depth and form with unparalleled optical and mechanical performance.

ARRI produced a small set of Tilt Focus lenses designed specifically for cinema work, unlike previous Tilt Focus lenses which were converted still photography lenses. These ARRI lenses offer a unique creative tool to cinematographers.

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